INTERGENERATIONAL DIFFERENCES IN DECODING ENCODED MEANING IN MALAYALAM SOCIAL MEDIA VISUALS: A VISUAL COMMUNICATION STUDY

Authors

  • Meghna Mohan K Research Scholar, MAJMC Student, Department of Visual Media and Communication, Amrita Vishwa Vidyapeetham, Kochi Campus, Kerala, India Author
  • Dr Harikrishnan D Assistant Professor (Sr. Gr.), Department of Visual Media and Communication, Amrita Vishwa Vidyapeetham, Kochi Campus, Kerala, India Author

DOI:

https://doi.org/10.29121/ShodhVichar.v2.i1.2026.106

Keywords:

Visual Communication, Social Media Visuals, Malayalam Media, Meme Culture, Audience Interpretation, Encoding And Decoding

Abstract

Social media visuals have become an important part of communication in today’s digital world. Memes, reels, troll images, posters, and short videos are widely used to express humour, emotions, opinions, and social messages. However, people from different generations often interpret these visuals differently depending on their age, media exposure, cultural understanding, and familiarity with internet culture. This study examines how Gen Z, Millennials, and Pre-Millennials decode Malayalam social media visuals. The research is based on Stuart Hall’s Encoding and Decoding Theory along with concepts of visual semiotics, dual coding theory, and cognitive load theory. A quantitative survey method was used for the study, and data were collected from 105 respondents through image-based questionnaires using both online and offline methods. The findings reveal that younger audiences are more familiar with meme culture, symbolic meanings, and internet humour, while older generations often focus on direct or literal meanings. The study highlights the role of digital exposure and social media participation in understanding visual communication. It also explains how visual interpretation changes across generations in the Malayalam digital media environment.

References

Boyd, d. (2014). It's Complicated: The Social Lives of Networked Teens. Yale University Press.

Fiske, J. (2011). Introduction to Communication Studies (3rd ed.). Routledge. https://doi.org/10.4324/9780203837382

Hall, S. (1980). Encoding/decoding. In S. Hall, D. Hobson, A. Lowe, and P. Willis (Eds.), Culture, media, language: Working Papers in Cultural Studies, 1972–79 (pp. 128–138). Hutchinson.

Jenkins, H. (2006). Convergence Culture: Where Old and New Media Collide. New York University Press.

Kress, G., and Van Leeuwen, T. (2006). Reading Images: The Grammar of Visual Design (2nd ed.). Routledge. https://doi.org/10.4324/9780203619728

Krishnan, R. (2022). Audience Interpretation of Social Media Memes Among Different Age Groups. International Journal of Media Research, 10(1), 51–60.

Rana, S. (2020). Visual Communication and Audience Interpretation in Digital Media. International Journal of Media and Cultural Studies, 5(3), 41–50.

Shifman, L. (2014). Memes in Digital Culture. MIT Press. https://doi.org/10.7551/mitpress/9429.001.0001

Singh, A., and Sharma, P. (2021). Meme Culture and Social Media Communication Among youth. International Journal of Communication Research, 9(2), 55–63

Downloads

Published

2026-06-27